Fans of the American Comics Group pre-Code horror comics know that, as horror comics went back in the day, ACG's titles were quite a bit tamer than say, Harvey, Stanley Morse or numerous others, for that matter.
But hold on -- there is one very notable exception: In an apparent attempt to jump on the bandwagon of the excessive horror that was oozing from comic pages circa mid-1950, Norman Fruman was the editorial custodian of one of the most gruesome and grisly comics of the late pre-Code horror era.
With a cover date of July-August 1954, THE CLUTCHING HAND #1 hit the stands like the wet slap of a blood-soaked towel on a morgue tile floor. The entire issue is cover-to-cover violence, brutality and death.
Selected for you today is one of those stories: "The Tiny Heads", a crazy little tale drawn by Sheldon Moldoff -- yes, the same Shelly Moldoff who ghosted on Bob Kane's BATMAN, worked on the Golden Age HAWKMAN and HAWKGIRL, and co-created Mr. Freeze, Poison Ivy and Bat Mite? Yep, the very same.
Moldoff was actually on the leading edge of pre-Code horror comics and appeared to have a lot of ideas and the imagination and drawing talent to go with it. He was famously ripped off when he pitched two titles he created, TALES OF THE SUPERNATURAL and THIS MAGAZINE IS HAUNTED to EC's Bill Gaines, who reneged on their financial agreement and then went ahead and published them anyway!
ACG pulled THE CLUTCHING HAND after just one issue, probably feeling the heat from Dr. Fredric Wertham's bubbling cauldron of comic book contempt, as well as the impending restrictions of the Comics Code Authority. Consequently, ACG was one of the few major comic book publishers that survived the fiasco.















































