That is indeed rather grotesque, but well-paced and neatly executed (the clock motif as Sheila is absorbed works very well).
Powell outdid himself on this one, I think. His panel designs were well-thought out, unlike many of the pre-Code stories.
That is indeed rather grotesque, but well-paced and neatly executed (the clock motif as Sheila is absorbed works very well).
ReplyDeletePowell outdid himself on this one, I think. His panel designs were well-thought out, unlike many of the pre-Code stories.
ReplyDelete